Level changes are represented as movements of an on-screen fader, as they were in Vocal Rider, and unlike a conventional compressor, Bass Rider is designed to balance the levels of individual notes without changing the note dynamics, adding coloration or altering the individual note envelopes. On first impressions, Bass Rider might be mistaken for a compressor, in that it adjusts the signal level in response to changes in the audio input level, but its underlying principle and controls are somewhat different. Up to 24-bit, 192kHz operation is supported, and the plug-in works in real time. No mention is made of when compatibility with the new Avid AAX format will be forthcoming, but news is that those intrepid chaps at FXpansion have already come up with a wrapper to help ease the transition.
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Bass Rider is available both as a separate plug-in and as part of the latest (v8) Mercury Bundle, the latter now requiring a second-generation iLok because of the number of individual plug-in authorisations involved! All the usual plug-in platforms are supported (TDM, VST, AU and RTAS) on both Mac OS and Windows, with stereo and mono versions included.
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It is protected by iLok, so if you already have an iLok, you can download a demo to try before you buy. The new Bass Rider applies a similar operational paradigm to bass instruments such as bass guitar, upright bass and synth bass. One of the more innovative plug-ins of recent years is Waves' Vocal Rider, which can analyse the contents of a vocal track while 'listening' to a cue mix, then generate automation to keep that vocal part at a constant level. Here you can see a bass guitar part as played (top) and with Bass Rider's alterations bounced to create a new part (bottom). Achieving a smooth, even bass part in a mix can require hours of tedious automation - unless, that is, you cheat!īass Rider can provide transparent dynamic correction for electric, acoustic and synth basses.
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